When getting to know Kylätasku’s (*1979; Tampere, Finland) take on artistic work and on life, one’s attention shifts to …
Painting
Kit White at FreedmanArt and the Institute of Fine Arts (NYU)
Kit White, a painter of indisputably lyric accomplishment, is currently showing at two venues: FreedmanArt and the Insti…
Gallery Night in LES with Essex Flowers, Fierman, Shrine, & Lazy Susan
On a fine Friday evening, the sky still bright with the nascent long sun of summer, we embarked on our gallery tour. An …
Mark Ryden collaborates with American Ballet Theatre to Bring Art and Dance Together
The Paul Kasmin Gallery in Chelsea is currently presenting a collection of new work by Mark Ryden for the show Whipped C…
Robert Hodge: Rhythm for the Suffering at Freight + Volume Gallery
Robert Hodge may best be described as a keeper of history—American history, urban history, black history, the experience…
UNCONTAINABLE: a Precursor to The National Institute of Urban Art
The National Institute of Urban Art is a forthcoming museum with great aspirations that lean toward the art patronage of…
Wim Botha at Feldbusch Wiesner Rudolphn (Berlin)
For Berlin, Wim Botha (born in 1974 in Pretoria; lives and works in Cape Town) has created an installation that makes us…
Federico Herrero: Language Melody at Sies + Höke
Federico Herrero is considered one of the most important contemporary artists in Central America today. Some monochrome …
James English Leary: The Bursting Grape at Galerie Lisa Kandlhofer
The paintings of James English Leary (*1982 Chicago, US) pit figuration against abstraction invoking metaphors that nurs…
Ridley Howard’s Travel Pictures at Marinaro Gallery
Ridley Howard’s Travel Pictures, on view at Marinaro Gallery, are studies in contradiction. They are warm and cool, emot…