Katherine Bernhardt: Done with Xanax at Canada Gallery January 10 – February 15, 2020 Done with Xanax PR: Katherin…
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The Cost of Our Choices: Alice Miceli’s Projeto Chernobyl at The Americas Society
What would it be like to really see a ghost? To peer beyond the veil into a realm which coexists with ours, but perpetua…
Reflections of 2019
To mark the end of the year and this decade, here is a recap of some shifts in our cultural climate. Our society seems …
Zachary Leener: Shekhinah at Klaus Von Nitchssagend
https://www.youtube.com/watch?v=GefbJ_mRsBo Zachary Leener: Shekhinah at Klaus Von Nitchssagend. Zachary Leener: Shekhin…
Haegue Yang: In The Cone of Uncertainty At The BASS Museum
PR: In the Cone of Uncertainty foregrounds Haegue Yang’s (b. 1971, Seoul) consistent curiosity about the world an…
“Blue” by Matthew Wong at Karma Gallery
A number of well-known artists have been fascinated by the color blue. Katsushika Hokusai, for example, painted “Thirty-…
Ursula von Rydingsvard: GDY ONA – WHEN SHE at Galerie Lelong & Co, Paris
For more than 40 years, Ursula von Rydingsvard has developed surprising biomorphic constructions, often on a monumental …
Highlights from Art Basel Miami Beach 2019
https://www.youtube.com/watch?v=GKAneLRSpr0 303 Gallery at Art Basel Miami Beach 2019. A Gentil Carioca at Art Basel Mia…
A Different Perspective: Emerging Chinese Art in A Composite Leviathan, at Luhring Augustine in Bushwick
Sometimes, it is best to just let the art speak for itself. That seems to be the closest thing to an underlying theme in…
Hernan Bas: Time Life at Lehmann Maupin, NYC (24th St)
Lehmann Maupin is pleased to announce Hernan Bas: TIME LIFE, the artist’s fifth solo exhibition with the gallery. This e…