The Thin Red Line is David Ostrowski’s very first solo show with Sprüth Magers in London, for which he has developed a n…
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John Baldessari: Brain/Cloud (Two Views) at Marian Goodman Gallery (London)
Installation view of Brain/Cloud (Two Views): with Palm Tree and Seascape, 2009 Polyurethane, paint, resin, aluminum, vi…
Something in the Way: Season of Love (Patricia Cronin, Yayoi Kusama, and Robert Indiana) at Tampa Museum of Art
Yayoi Kusama, LOVE IS CALLING, 2013. Installation at Tampa Museum of Art. Photo: St. Cate Fine Arts. Curtis Hixon Waterf…
Andy Warhol: His Ongoing Legacy at the Whitney Museum of American Art
Although my students in art school don’t actively refer to him, Andy Warhol has changed the landscape of contemporary ar…
Jack Whitten: The Man Who Loved Sculpture
Jack Whitten and Simone Leigh A work of art called Aphrodite’s Lover can only be an act of love. Jack Whitten mean…
“Sarah Lucas: Au Naturel” at the New Museum
Sarah Lucas has a limitless talent for making ordinary life sensational. By recontextualizing everyday items — food, fur…
Hilma af Klint’s Futuristic Paintings at the Guggenheim Museum
Hilma af Klint (1866-1944) was an early Swedish-born modernist previously relegated to the margins but whose fortunes ar…
CUBA Behind the Masks at The Bronx Museum
Manuel Mendive finds magic in the rituals of his native Cuba, but I cannot swear that he ever experienced them at first …
Opening Night Photos: Gagosian Gallery | Fergus McCaffrey | Mitchell-Innes & Nash | Marlborough Gallery | Hauser & Wirth (69th) | Galeria Nara Roesler (Nov 2, 2018)
Richard Prince: High Times at Gagosian Gallery (21st street) from Nov 1 - Dec 15, 2018 (Photos by Vincent Zambrano). Ric…
Bill Viola: Life After Death at Stavanger Kunstmuseum
It is tempting to suggest that the Stavanger, Norway, with its nearby Iron-Age petroglyphs of Viking longboats, runes, a…