Jack Whitten and Simone Leigh A work of art called Aphrodite’s Lover can only be an act of love. Jack Whitten mean…
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“Sarah Lucas: Au Naturel” at the New Museum
Sarah Lucas has a limitless talent for making ordinary life sensational. By recontextualizing everyday items — food, fur…
Hilma af Klint’s Futuristic Paintings at the Guggenheim Museum
Hilma af Klint (1866-1944) was an early Swedish-born modernist previously relegated to the margins but whose fortunes ar…
CUBA Behind the Masks at The Bronx Museum
Manuel Mendive finds magic in the rituals of his native Cuba, but I cannot swear that he ever experienced them at first …
Opening Night Photos: Gagosian Gallery | Fergus McCaffrey | Mitchell-Innes & Nash | Marlborough Gallery | Hauser & Wirth (69th) | Galeria Nara Roesler (Nov 2, 2018)
Richard Prince: High Times at Gagosian Gallery (21st street) from Nov 1 - Dec 15, 2018 (Photos by Vincent Zambrano). Ric…
Bill Viola: Life After Death at Stavanger Kunstmuseum
It is tempting to suggest that the Stavanger, Norway, with its nearby Iron-Age petroglyphs of Viking longboats, runes, a…
“Robert Rauschenberg: In and About L.A.” at LACMA
Robert Rauschenberg may be best known for his New York-based work, but he became an artist in Los Angeles. While station…
Carmen Herrera’s Standout Estructuras at Lisson Gallery (24th Street)
Carmen Herrera, at the age of 103, has well and truly found her stride. Her show at Lisson Gallery in Chelsea encompasse…
A Conversation with Joe Bradley (Gagosian Quarterly)
The Albright-Knox Art Gallery in Buffalo, New York, is hosting the first US mid-career survey of artist Joe Bradley. For…
Romuald Hazoumè’s Masks at Gagosian (Park & 75)
Romuald Hazoumè’s masks are objects of recovery and recognition. For the last thirty years, the Benin-based artist has f…