“On Colored Shadows” at the Rubber Factory Suzanna Zak, Myeongsoo Kim and Rachelle Bussières June 19 ̵…
Farideh Sakhaeifar: You are in the War Zone at Trotter&Sholer, NYC (Review)
Farideh Sakhaeifar: You are in the War Zone at Trotter & Sholer March 18 – April 17, 2021 Images courtesy of T…
Michele Rushfeldt: Rakish Exhibition(ist) with a Photograph by Robert Mapplethorpe at Cathouse Proper (Review)
Michele Rushfeldt: Rakish Exhibition(ist) with a Photograph by Robert Mapplethorpe at Cathouse Proper January 23 –…
Catherine Opie’s Rhetorical Landscapes at Lehmann Maupin
This past week galleries re-opened across New York City after many long months of closure, and this art-starved critic l…
Transnational at Proxyco Gallery
As politics pull to the right, so does the art world pull to the left. Or at least, our political moment makes it seem s…
The Cost of Our Choices: Alice Miceli’s Projeto Chernobyl at The Americas Society
What would it be like to really see a ghost? To peer beyond the veil into a realm which coexists with ours, but perpetua…
A Different Perspective: Emerging Chinese Art in A Composite Leviathan, at Luhring Augustine in Bushwick
Sometimes, it is best to just let the art speak for itself. That seems to be the closest thing to an underlying theme in…