PR: Abstract of A Partial Disassembling of an Invention Without a Future: Helter-Skelter and Random Notes in Which the P…
New York
Art news in New York City.
Richard Serra: Forged Rounds at Gagosian Gallery (24th St.)
Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than abo…
Anish Kapoor at Lisson Gallery
Lisson Gallery is currently presenting an exhibition in New York with Anish Kapoor, one of the most celebrated artists o…
Curators of Culture
In 1974 Josef Beuys visited New York to do a performance he called ‘I like America and America Likes Me’ at the René Blo…
Alexandre Singh A Gentle Horror at Metro Pictures
PR: Alexandre Singh’s first major exhibition at Metro Pictures features the New York premiere of his short film The Appo…
Esperanza Cortés, Canté Jondo / Deep Song at Smack Mellon
Colombian-born artist Esperanza Cortes is the originator of the strong show “Cante Jondo” (“Deep Song”), composed of a s…
Judy Chicago – Picturing Extinction: Studies for the End at Salon 94 Freemans (Opening night)
Video of Judy Chicago – Picturing Extinction: Studies for the End at Salon 94 Freemans (Opening night) PR: Through…
Hauser & Wirth Gets Intimate with Personal Private Public
As concerns arise and intensify around the question of domains of privacy – of what is public versus what is private, th…
Norman Lewis, whose depiction of an American tragedy, American Totem, leaves you lingering and debating the highly political aspects of this work
American Totem makes you linger. The painting has been discussed at length since its acquisition by the Whitney Museum t…
Under the Bonsai Tree: work by Chris Bogia at Mrs. Gallery
The basic forms assembling themselves for the pieces of this show derive from constructivist sculpture of the 1910s and …