Installation view, Etty Yaniv: Inversion at Palazzo Mora in Venice. April 23rd and runs through Nov 27th Images courtesy…
Art that Creates Connections: Socio-Political Artist Pritika Chowdhry’s Anti-Memorial About Partitions
Indians and Pakistanis love cricket, kabaddi, kite-flying, chess, and parchisi. These sports and games unite the people …
Judd Schiffman Mystic Vision at Maake Projects, Pennsylvania (Review)
Judd Schiffman Mystic Vision On view October 14—January 7, 2022 Maake Projects State College, PA www.maakemagazine.com J…
Eves in Conversation Sets the Tone for The IW Gallery, NY (Review)
Vida Sabbaghi, an international cultural producer, founded The IW Gallery at 630 Flushing Avenue, Brooklyn, NY in Octobe…
March Avery and Elisabeth Kley at Parts and Labor, Beacon NY (Review)
Simplified forms, tactile surfaces, and themes of interiority bring together Parts and Labor’s current exhibition, March…
Jiwon Rhie: Instant Forest Exhibition at NARS Foundation Project Space (Review)
Jiwon Rhie – Instant Forest Exhibition Review The exhibition was on view March 26 – April 19, 2021, at NARS …
Pandemic Intimacy: Sapar Contemporary’s Home Body (Review)
SAPAR Contemporary’s Home Body February 19, 2021–March 23, 2021 In times of strife, where can we turn? To avoid s…
Disjointed Desire for Connection at Rachel Uffner Gallery, Maryam Hoseini: Yes Sky, NYC
Maryam Hoseini: Yes Sky at Rachel Uffner Gallery Sept. 23-Nov. 7, 2020 All images courtesy of Rachel Uffner Gallery and …
Pete Moran’s ‘I Know I Know I Know’ at Cathouse Proper
In his New York solo debut, artist Pete Moran presents ten discreet objects installed with unique sincerity and acute at…
Norman Lewis, whose depiction of an American tragedy, American Totem, leaves you lingering and debating the highly political aspects of this work
American Totem makes you linger. The painting has been discussed at length since its acquisition by the Whitney Museum t…