Marina Rheingantz: Suor at Bortolami Gallery, NYC (Video + Photo Story)

Installation view, Marina Rheingantz: Suor at Bortolami, NYC.
Installation view, Marina Rheingantz: Suor at Bortolami, NYC.
Installation view, Marina Rheingantz: Suor at Bortolami, NYC.
Installation view, Marina Rheingantz: Suor at Bortolami, NYC.
Marina Rheingantz, Teatro de Sombra, 2021, Oil on linen, 59 x 52 in (150 x 131cm)
Marina Rheingantz, Suor, 2021, Oil on linen, 122 x 183 in (310 x 465cm)
Marina Rheingantz, Vavale, 2020, Oil on canvas, 83 x 118 1/2 in (210 x 301cm)
Marina Rheingantz, Vavale, 2020, Oil on canvas, 83 x 118 1/2 in (210 x 301cm)

Marina Rheingantz: Suor
10 September – 23 October 2021

Bortolami Gallery is pleased to present Suor, our second solo exhibition with the São Paolo-based artist Marina Rheingantz.

Rheingantz paints in a liminal space between abstraction and representation, each canvas a distillation of specific landscapes and memories from travels within her native Brazil and abroad.

Large canvases such as Suor, or “sweat”, the namesake painting of this exhibition, are awash with ethereal color which evoke both the enormity and tactility of the natural world. Opaque and tertiary hues are thinned just enough to reveal the strata of intensely saturated pigments below, a layering as sculptural as it is painterly. These earthy yet effervescent color fields are punctuated with clusters of rich impasto and an array of short brushstrokes redolent of windswept leaves.

Smaller, more intimate works are sewn as embroideries on canvas, each stitch a textural analog to Rheingantz’s staccato-like brushstrokes. Paintings such as Sei Arrivata and Teatro de Sombra are made with canvas jute which has been primed with a clear gesso. The thick beige fabric serves as a textural counterpoint to the artist’s soft, tinted color fields. Pigment is dragged across and rubbed into the thickly woven substrate, imparting a coarse texture akin to pastel or charcoal.

This vacillation between extremely thick and thin paint functions as if one were to tighten the lens focus of a camera – an adjustment from the infinite to the infinitesimal. These contrasts offer not only an alluring depth of field but a crystallization of experience, as if the artist has translated the most vivid moments from a memory into concrete, tangible form. It is in this emotional space which Rheingantz thrives, placing the viewer within an utterly unique sensorial environment which emphasizes touch and feeling above observation alone.

Marina Rheingantz (b. in 1983 in Araraquara, SP) is the subject of a solo exhibition on now at FRAC Auvergne in Clermont-Ferrand, France, the artist’s first solo institutional show in Europe. This autumn she will present works at Inhotim Institute in Brumadinho, Brazil. Her work is part of several public collections such as Museu Serralves in Porto, Pinacoteca do Estado de São Paulo, The Rubell Collection in Miami, the de Taguchi Art Collection in Tokyo and others.[/vc_column_text][/vc_column][/vc_row]

Jamie Martinez

Jamie Martinez

Jamie Martinez is the founder/publisher of ARTE FUSE contemporary art platform and the founder/director of The Border Project Space. He is an artist using the concept of triangulation throughout his work. His process involves constructing, deconstructing and fragmenting images, data, and information geometrically into triangulated segments. Follow him @JamieMartinezStudio WWW.JAMIEMARTINEZ.NET

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