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Art Basel Miami Beach is heading into December with a slightly altered cast. After touting a 285-gallery lineup earlier this year, the fair has lost at least eight of those dealers—an unflashy but telling shift for an event that prides itself on stability and spectacle in equal measure.
In its generous, eight-work presentation of late-career canvases and tarpaulins by Keith Haring, the exhibition Liberating the Soul: Keith Haring’s Paintings at Gladstone Gallery reignites the force of an artist who channelled joy, activism, and scale into what were once subway scribbles and under-the-radar public works.
All eyes are on the Brooklyn Museum, where Monet’s long-awaited return isn’t just another museum event; it’s a cultural wake-up call. Monet and Venice, the first major exhibition in over a century dedicated to Claude Monet’s Venetian cityscapes, floods the Brooklyn Museum with luminous visions of water and air.
How do we act in the midst of multilayered tensions? How do we respond when the very right to live is still contested, day after day? How can we counter the opportunistic maneuvers of the world’s leading powers? And how did we end up here?
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