Performance by Cortney Andrews and Phillip Birch at Jack Hanley Gallery


At the Pérez Art Museum Miami’s 2025 Art Basel party, the museum briefly became what it always promises but rarely achieves so effortlessly: a civic room where art, bodies, sound, and weather negotiated space together.
ICA Miami ushers in Miami Art Week with a striking double gesture: a sweeping survey of Joyce Pensato, whose feral cartoon iconography unsettles even as it seduces, and a deeply felt retrospective of Richard Hunt, whose welded abstractions anchor a half-century of sculptural innovation.
Nnena Kalu’s Turner Prize victory feels both overdue and quietly revolutionary. Announced in Bradford, the 2025 UK City of Culture, the award acknowledges an artist whose practice has long operated outside the predictable lanes of contemporary art. Kalu, 59, works with an urgency and sensual grit that leaves the viewer suspended somewhere between sculpture, performance, and raw force.
Every December, the glassy calm of Art Basel Miami Beach 2025 fractures into a weeklong proving ground for global contemporary art. The fair’s 2025 iteration, staged at the Miami Beach Convention Center, arrives not simply as a recurrence but rebalancing — a decisive attempt to reboot market momentum while absorbing digital art’s new centrality.
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