Matthew Kirk Bestows the Year 1978 Today at FIERMAN Gallery
-David Sanderson
1978 was a monumental year. The American Indian Religious Freedom Act (AIRFA) was passed, establishing …
Ghada at Amer Cheim Read (video)
Many of Amer’s paintings make art historical references in subversive and humorous ways. White Girls and White-RF…
Virva Hinnemo: Four Feet at Anita Rogers Gallery
-Jonathan Goodman
Virva Hinnemo lives far out on eastern Long Island, and her artwork looks very much like the art of the ab-ex painters who made that…
Tariku Shiferaw: This Ain’t Safe at Cathouse Proper
-Jonathan Goodman
New York-based artist Tariku Shiferaw, born in Addis Ababa, Ethiopia, and raised in Los Angeles, just …
Sam Lewitt: Cover at Miguel Abreu Gallery
COVER, Sam Lewitt’s 5th exhibition at Miguel Abreu Gallery, follows and extends the artist’s work Stranded Assets, shown first at the 57th Venice Bien…
Almost Touching – Tension, Turbulence and Vehicles for Intimacy
-Thavma Phillips
This show was a joy to review. First of all, I love photography and Malka has presented photographs tha…
MAGALI REUS: AS MIST, DESCRIPTION at the South London Gallery
London-based Dutch artist Magali Reus’s first major institutional solo exhibition in London comprises an entirely new bo…
A COLOSSAL WORLD: Japanese Artists and New York, 1950s-Present at White Box
The exhibition A Colossal World has a lofty goal. The first of a project called EXODUS, which maps immigrant artists fro…
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Ghada at Amer Cheim Read (video)
Many of Amer’s paintings make art historical references in subversive and humorous ways. White Girls and White-RFGA subtly makes racial comment…
