“Distance Avails Not”: Art from the Boros IV at Denise Bibro Fine Art by Eileen G’Sell
“Others will enter the gates of the ferry and cross from shore to shore, Others will watch the run of the flood-tide, Others will see the shipping of …
Bricolage at Causey Contemporary Offers a Discourse on Constructed Identity
The group exhibition Bricolage at Causey Contemporary offers a provocative look at the ways in which notions of identity are complicated in society an…
Michael Kidner: Good for the Art Soul at Flowers Gallery
This year there has been a series of shows that featured Op Art from the 60’s and most of them were Italians or Americans who spent time in Italy. FLO…
Hautenovi WTF 2016: FTW & Get in While You Can
It’s just not about drinks and food. It’s just not about hanging out too. It’s also just not about moving n shaking. It’s about a fulfilling, raw and …
Keri Oldham’s Blood Banner at Lazy Suzan Gallery
Recently on view at the Chinatown pop-up Lazy Susan Gallery, Oldham’s series of intricate watercolors draws upon and combines multiple literary source…
Comments on the Art Market for August 2016
By: Howard Rehs Another month and more sales. I have been saying this for many years: the market needs a break. There is far too much material being…
Studio Visit with Sara Ferrer (Berlin)
How do you define yourself as an artist and how do you describe your work in general? I am a multidisciplinary artist. I like to observe everything an…
Through the Lens of Berlin Blue-Light-Pantone by Artist Irene Cruz (Berlin)
Cristina Benzi: Tell us about you. Irene Cruz: I am someone who is totally in love with Berlin blue-light-Pantone, someone who moved from Spain becaus…
Hart- Where Passions Match
Artists live in their own different world. Where does this world exist? Nobody knows. Yet along comes an App that redefines the game of how artists da…
Making America Great Since 1692: Rebecca Goyette’s Ghost Bitch U.S.A.
At once crude yet intelligent, entertaining yet political, Rebecca Goyette’s summer exhibition at Freight + Volume, Ghost Bitch U.S.A., takes a pornog…
Artists in Brownsville find a shared common humanity
The title of this exhibition, Un/Provincial: Art of South Texas is predicated upon the notion that the media casts a shadow of provincialism over Sout…
Europe Celebrates its American Soldier Photographer
Discovering the retrospective of Tony Vaccaro at the City Hall of Caen, France Born in the US from Italian parents, Tony Vaccaro spent his childhood i…
LMAKgallery: More Than a Space to See Art
LMAKgallery is unlike the typical white cube art viewing spaces you’ll find peppered throughout New York City. Much more happens there than just the e…
Interview with artist Rachel Schmidhofer
Rachel Schmidhofer is a Brooklyn-based painter. Her vibrant still-lifes of natural objects and domestic interiors evoke contrasting feelings of wonder…
Chinatown Soup- A Consortium of Collage
As you walk through Chinatown Soup- you will know two things right off the bat. First of all, there is no Chinese connection whatsoever in the gallery…
Merge, Bend, Renew: Prismed Views in Raul Barquet’s “Anamorphic”
After the success of “Obscured/Omitted” and “Uncensored,” Port Exhibitions (http://portexhibitions.com/) director and curator of SIABC Gallery, Raul B…
VIDEOS
Let’s go full throttle and let the engines roar, for this is a prelude to a major exhibition. Rashid
Read More → For her first solo exhibition in the United States, Sophia Al-Maria (b. 1983) debuts a new video and
Read More → The title of this exhibition, Un/Provincial: Art of South Texas is predicated upon the notion that t
Read More → Martin Creed is a winner of the Turner Prize, an internationally recognized mixed-media artist, song
Read More → Multi-media artist Ariel Jackson’s video installation, “Focus,” at the Studio Museum in Harlem embra
Read More → Writing via press release and video by Jamie Martinez “How did these get here!?” I was shocked to se
Read More → I think a painter has two choices: he paints the world or himself. And I think the best painting tha
Read More → On a cool Saturday morning, bright with the smell of spring, the gallery scene in Chelsea was alread
Read More → “Let’s print out some ecstasy”. In Adam Green’s Aladdin, your most hedonistic and absurd wishes are
Read More → When you first walk into the Robert Ryman exhibit in Dia: Chelsea, it appears that all there is whit
Read More →