Spooky season may be over, but there’s still time for you to delightfully dwell in the paranormal and the bordering-exis…
The Fine Art Houston Both Needs and Deserves: Notes on the MFAH’s Retrospective of an OG Baddie, Beatriz González
From inside the traditionally austere, academic confines of Houston’s Museum of Fine Arts blooms a rainforest of change …
Black Mirror Meets Alice in Wonderland: Jonathan Chapline and Misaki Kawai at The Hole NYC
For the exposition you critical art readers did not ask for, it was a Saturday evening, and I was walking down Bowery, h…
Flash of the Spirit: Tunji Adeniyi-Jones at Nicelle Beauchene Gallery
I shot a few quick glances at the geometric designs hanging in the Jack Hanley Gallery on the first floor, threw a greet…
Disco Beast: Jonathan Monaghan at Bitforms Gallery
After excitedly following Jonathan Monaghan’s exhibition Disco Beast at Bitforms Gallery on instagram for a few weeks, o…
Hope Springs Eternal in the Sutherland Springs Art-Memorial
The church is empty; its walls are painted white. There are 26 chairs placed around the room, where members of a congreg…
Diana Al-Hadid at Marianne Boesky Gallery: Ancient Enchantment for the Contemporary Milieu
In Diana Al-Hadid’s third show, Falcon’s Fortress, with the Marianne Boesky Gallery, she pays homage to the inventive na…
Sanford Biggers at Marianne Boesky: Intentionally Woke, Unintentionally Groovy
Sanford Biggers’ first solo show at Marianne Boesky is, in a word, woke. (For those unfamiliar with contemporary slang, …
Dana Schutz at the Boston ICA: All of the Color and Abstraction You Wanted Without All of the Controversy You Also Secretly Wanted
To many in the artistic community, the name “Dana Schutz” is now synonymous with the images of black protesters blocking…