Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London

Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Installation view, Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London
Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London

Umar Rashid (Frohawk Two Feathers): In The Court of The Crimson Queen or White Lady on a Horse at Tiwani Contemporary, London

Oct 8, 2020 to Nov 21, 2020

All Images courtesy of Tiwani Contemporary and the artist

“I ultimately seek to tell a story of humanity. An all-inclusive humanity that is generally left out of the prescribed, sanitized history, some of us are all too familiar with.”
– Umar Rashid

Tiwani Contemporary is delighted to present the first solo UK exhibition of work by storyteller, visual artist, poet, and musician Umar Rashid (Frohawk Two Feathers). The show features a selection of new work alongside older works seen for the first time in a non-institutional setting that further an ongoing project the artist began in 2003.

For the past seventeen years, the Los Angeles-based artist has documented the complex, the historical, and episodic saga of a fictional world superpower – the Frenglish Empire. Between 1658 and 1880, the Frenglish rule a transcontinental area comprised of dominions, protectorates, and colonies including England, France, Turkey, India, the Caribbean, Australia. Over the next two centuries, the Frenglish Empire engages in military endeavors, political intrigues, dynastic alliances, and significantly, colonial exploits and enterprises that arise out of survivalist and expansionist imperial policies. During its course, it comes up against a number of rival states agitating for power who emerge as significant players in the 18th century including its suzerain, the North American Belhaven Republic, and a recalcitrant Dutch republic, the Batavian Empire.

Across portraits, maps, flags, artifacts, vignettes and drawings, and other visual remnants of an imagined empire and its multiple interactions, Rashid reveals pivotal events and the ever-changing fortunes of a lively array of protagonists, both elite and quotidian, all peculiar to a highly novel parallel universe. In this polyglot and multi-racial world of the mid 17th and late 19th centuries, Rashid collapses time, geography, and the real-life dichotomies of race, class, gender, religion, sexuality and, power. His iconographic work synthesizes comic culture, African cosmology, Egyptology, Classical mythology, Native American ledger art, hip hop, Persian miniature, Afrofuturism, grand history paintings, and Renaissance portraiture. In remixing myriad histories – some recognizable and others esoteric including but not limited to Western European, African, and Ottoman, Rashid offers a revisionist, forensic, and often humorous panorama of the early and late modern periods. His work challenges the legacies and linearities of imperial and colonial historiographies and their influence on the construction of modernity.

Umar Rashid (Frohawk Two Feathers) was born in 1976 in Chicago, Illinois, and currently lives and works in Los Angeles, California. He earned his BA at Southern Illinois University in 2000.

His exhibitions include a forthcoming exhibition opening at Hammer Museum, Los Angeles, USA in partnership with The Huntington, Art Museum and Botanical Gardens, San Marino, USA, (2020); University of Arizona, Tucson, USA (2018); University of Memphis, Memphis, USA (2017); Wadsworth Atheneum Museum of Art, Hartford, USA (2014); Wellin Museum of Art, Clinton, USA (2013); the Visual Arts Center of New Jersey, Summit, USA (2013); the Nevada Museum of Art, Reno, USA (2013) and the Museum of Contemporary Art, Denver, USA (2012) .

His work is included in the collections of the Zeitz Museum of Contemporary Art, Jorge Perez Collection, Brooklyn Museum, Santa Barbara Museum of Art, the Progressive Collection, 21C Museum, the Nevada Museum of Art, and the Wellin Museum of Art amongst others

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The press release & the photographs are courtesy of the gallery and the artists. If you would like to submit your photo story or article, please email INFO@ARTEFUSE.COM.

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