Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin

Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.
Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.
Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.
Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.
Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.
Jeremy Demester: OUIDAH at Galerie Max Hetzler, Berlin. Images courtesy of the artist and Galerie Max Hetzler.

PR: Jeremy Demester lives and works between Paris and Ouidah, Benin, where he has established a studio. According to the Voodoo cults of the Yoruba culture, rooted in Togo, Benin, and Nigeria, Ouidah is the city of revenants. Living close to the spirits, Demester creates works inspired – in the strongest sense – by the vicinity of the otherworld, embodied in the most extraordinary objects, as well as the most common.

The present exhibition was developed through consultation with several Voodoo sorcerers. An oracle gave the artist twenty-one words. These words, such as sun, moon, arrow or cross, are all symbols that populate the works to activate the world of spirits. Stirred by invisible forces, Demester’s paintings embrace the infinite metamorphoses of this cult, through their intense colorism and their exploration of primordial energies.

Demester’s works are presented along with art objects from his own collection, created in Ouidah, which bear witness to several aspects of the Voodoo journey. The Voodoo art objects take various forms and continually evolve in response to the fluctuations of the Western market, which can be felt in the availability of certain fabrics or in clothing fashions. Voodoo, an ancestral force, embodies in all materials – it dominates life.

“Jeremy Demester’s painting is action, vision, and prose. In search of new possibilities in the world, the painter probes experience through intuition. It is his guide. In front of the artwork, intuition favors astonishment over assurance and pushes the painter to approach the impossible.” (Annabelle Gugnon, 2018)

Jeremy Demester (*1988, Digne), lives and works in Paris. Demester’s work has been presented in solo and group exhibitions, such as at the MUba Eugène Leroy, Tourcoing (2019); Château Malromé, Saint André-du-Bois (2018); Mucciaccia Contemporary, Rome (2017); Musée d’art moderne et contemporain de Saint-Étienne, Saint-Étienne; Palais de l’École des Beaux-Arts, Paris (both 2016); Zinsou Foundation, Ouidah and Palais des Beaux-Arts, Paris (both 2015), among others. His work can be found in the public collections of the Foundation Zinsou, Ouidah; Istanbul Modern, Istanbul and Musée d’Art Moderne et Contemporain Saint-Étienne Métropole, Saint-Étienne, among others.

Jeremy Demester, OUIDAH, Galerie Max Hetzler, Bleibtreustraße 45, Berlin, 14 March – 25 April 2020. Photo: def image. Courtesy of the artist and Galerie Max Hetzler, Berlin | Paris | London

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The press release & the photographs are courtesy of the gallery and the artists. If you would like to submit your photo story or article, please email INFO@ARTEFUSE.COM.

2 Comments
  1. The art is beautiful. It gives a surprisingly bright color vibe for being inspired by voodoo. Hopefully, he didn’t leave any trace of himself such as clothing or a hairbrush behind when meeting the voodoo sorcerers.

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