Robert Otto Epstein has found inspiration in a variety of systems, from knitting patterns, to 8-bit color coding, to ran…
Tag: art review
“Trill Matrix” at The Clemente
“Trill Matrix,” the brightly innovative, mostly sculptural, show, is curated by Elizabeth Riley, who belongs to the fema…
Something in the Way: Season of Love (Patricia Cronin, Yayoi Kusama, and Robert Indiana) at Tampa Museum of Art
Yayoi Kusama, LOVE IS CALLING, 2013. Installation at Tampa Museum of Art. Photo: St. Cate Fine Arts. Curtis Hixon Waterf…
Rachel Mica Weiss’s “Limits” at LMAK Gallery
Rachel Mica Weiss makes art that is expansive, large and heavy. She studied psychology at Oberlin, metal casting and wea…
Jack Whitten: The Man Who Loved Sculpture
Jack Whitten and Simone Leigh A work of art called Aphrodite’s Lover can only be an act of love. Jack Whitten mean…
“Sarah Lucas: Au Naturel” at the New Museum
Sarah Lucas has a limitless talent for making ordinary life sensational. By recontextualizing everyday items — food, fur…
Otavio Schipper: GOLEM Curated by Lara Pan at Shin Gallery
There can be no question that Freud’s Unheimlich is one of the driving (and overarching) concerns behind Otavio Schipper…
Black Mirror Meets Alice in Wonderland: Jonathan Chapline and Misaki Kawai at The Hole NYC
For the exposition you critical art readers did not ask for, it was a Saturday evening, and I was walking down Bowery, h…
Hilma af Klint’s Futuristic Paintings at the Guggenheim Museum
Hilma af Klint (1866-1944) was an early Swedish-born modernist previously relegated to the margins but whose fortunes ar…
CUBA Behind the Masks at The Bronx Museum
Manuel Mendive finds magic in the rituals of his native Cuba, but I cannot swear that he ever experienced them at first …