Luis Camnitzer, a Uruguayan born in Germany but residing in New York since the middle 1960s, has opened a compelling sh…
Reviews
“Fear Eats the Soul” – Rirkrit Tiravanija at Glenstone Museum
Glenstone Museum is a 300-acre verdant oasis of modern and contemporary art located in Potomac, Maryland, just 15 miles …
The Cost of Our Choices: Alice Miceli’s Projeto Chernobyl at The Americas Society
What would it be like to really see a ghost? To peer beyond the veil into a realm which coexists with ours, but perpetua…
Reflections of 2019
To mark the end of the year and this decade, here is a recap of some shifts in our cultural climate. Our society seems …
“Blue” by Matthew Wong at Karma Gallery
A number of well-known artists have been fascinated by the color blue. Katsushika Hokusai, for example, painted “Thirty-…
A Different Perspective: Emerging Chinese Art in A Composite Leviathan, at Luhring Augustine in Bushwick
Sometimes, it is best to just let the art speak for itself. That seems to be the closest thing to an underlying theme in…
Accessing the Psyche, Provoking a 6th Sense: Irvin Tepper’s “Evidence of Phantoms Made Real Between Thoughts” at the Station Museum of Contemporary Art
Spooky season may be over, but there’s still time for you to delightfully dwell in the paranormal and the bordering-exis…
The Fine Art Houston Both Needs and Deserves: Notes on the MFAH’s Retrospective of an OG Baddie, Beatriz González
From inside the traditionally austere, academic confines of Houston’s Museum of Fine Arts blooms a rainforest of change …
Esperanza Cortés, Canté Jondo / Deep Song at Smack Mellon
Colombian-born artist Esperanza Cortes is the originator of the strong show “Cante Jondo” (“Deep Song”), composed of a s…
FIAC Paris Review
FIAC week in Paris is a truly exciting time of the year. For four days, we lived in a contemporary art and culture marat…