Born on the edge of Sweden’s Arctic Circle in 1962, Mamma Andersson now lives in Stockholm. But her art, in many ways a …
Reviews
Transnational at Proxyco Gallery
As politics pull to the right, so does the art world pull to the left. Or at least, our political moment makes it seem s…
Highlights for The Independent Art Fair 2020
Above is a video walk-through of our favorite booths at The Independent Art Fair and below are the images. …
Danielle Orchard’s ‘Mother’s Magazines’ at Jack Hanley Gallery
Danielle Orchard’s art revolves around the female body. Largely eschewing politics, she focuses rather on lineage, fitti…
Peter Buggenhout at Axel Vervoordt Gallery
PR: Peter Buggenhout (born in Dendermonde in 1963, lives in Ghent) is considered one of Belgium’s most unique and radica…
Detectives and Janitors: Infra-realism Finds Aesthetic at “Aqui y Ahora” a solo show of Fernando Pintado at Turn Gallery
The work of Fernando Pintado, at his solo show “Aqui y Ahora,” is a canvas monument to heartbreak. Displayed along the w…
Pete Moran’s ‘I Know I Know I Know’ at Cathouse Proper
In his New York solo debut, artist Pete Moran presents ten discreet objects installed with unique sincerity and acute at…
Luis Camnitzer at Alexander Gray Associates
Luis Camnitzer, a Uruguayan born in Germany but residing in New York since the middle 1960s, has opened a compelling sh…
“Fear Eats the Soul” – Rirkrit Tiravanija at Glenstone Museum
Glenstone Museum is a 300-acre verdant oasis of modern and contemporary art located in Potomac, Maryland, just 15 miles …
The Cost of Our Choices: Alice Miceli’s Projeto Chernobyl at The Americas Society
What would it be like to really see a ghost? To peer beyond the veil into a realm which coexists with ours, but perpetua…