“OUT of Joint,” the latest exhibition at The Boiler 191, showcases the thought-provoking work of six New Yor…
Reviews
Markus Lüpertz: Et in Arcadia ego at Michael Werner, NYC (Review)
In Markus Lüpertz’s Et in Arcadia ego, on view at Michael Werner through April 21, the past and the present harbor a re…
The Counter/Self at the Art Museum at the University of Toronto, Justina M. Barnicke Gallery (Review)
The Counter/Self, the title of this exhibition, immediately captured my attention. I have always been interested in the …
Jiwon Rhie: Error Range at Chinatown Soup, NYC (Review)
Along the wall at Chinatown Soup hangs Self Identified, 2023, a group of Jiwon Rhie’s bra sculptures sewn from custom di…
Joani Tremblay: Intericonicity at Harper’s Gallery, NYC (Review)
Intericonicity, the title of Joani Tremblay’s solo exhibition at Harper’s Gallery, is a term developed by theorist Géra…
Necessary Myths: Timo Fahler’s “hope against hope”, NYC (Review)
In “hope against hope,” on view at 56 Henry in New York City through January 29th, Timo Fahler uses stained…
Wu Jian’an at Chambers Fine Art, New York City (Review)
Born in 1980, Wu Jian’an has been an associate professor of experimental art at the Central Academy of Fine Arts in Beij…
Aïda Muluneh: Water life at the Textile Museum of Canada (Review)
Water is life. For those of us who have clean water in abundance, it is hard to imagine what life would mean without it.…
Bharti Kher’s Ancestor: The Totem of Unity We Need Right Now
Matriarch, mother, goddess. A mere glance at her eighteen-foot-tall presence — forbidding yet nurturing, confounding yet…
Making a Splash: Deanna Sirlin, Watermark At the Georgia Tech Library, Crossland Tower, 2022
Deanna Sirlin, Watermark at Georgia Tech Library, Crossland Tower April 13, 2022, through December 28, 2022 Images court…