Born in Poland in 1979, Alicja Kwade’s family moved to West Germany in 1987, where she studied art in Berlin; she contin…
Reviews
‘Nari Ward: We the People’ at the New Museum
Nari Ward’s art is as unique and imaginative as it is tied to the things we use and encounter daily. Instinctively under…
Kaveri Raina’s Linger Still, Curated by Emily Burns at Assembly Room
Linger Still is Kaveri Raina’s solo debut of recent paintings and drawings at Assembly Room curated by Emily Burns. Thi…
Highlights from Frieze New York, 2019
Frieze New York once again enticed viewers on Randall’s Island this year with the global, cultural cognoscenti circulati…
Ming Fay: Beyond Nature at Sapar Contemporary
Fay, now in his mid-70s, is retired from active duty as a sculptor. That is our loss. For many years, he quietly made hi…
By Any Means: Contemporary Drawings from the Morgan
The small but excellent show “By Any Means: Contemporary Drawings from the Morgan” emphasizes works achieved by chance a…
Bobbie Oliver: Residuals at High Noon Gallery
Bobbie Oliver’s solo exhibition Residuals at High Noon Gallery consists of a visually striking series of mysterious blue…
Sex Wax and Surfing: An Interview with Artist Nicholas Cueva
Nicholas Cueva’s solo exhibition Sex Wax currently on view at Freight and Volume is a mercurial collection of work which…
Donald Sultan: Mimosa, Paintings and Drawings at Ryan Lee
Donald Sultan’s new series of images at Ryan Lee is the first exhibition of his Mimosas, inspired by a presentatio…
Perilous Bodies: Personhood as Seen Through the Eyes of Two International Curators at Ford Foundation Gallery
Walking down the broad, half shaded sidewalk of East 43rd my feet have led me to the Ford Foundation Center for Social J…