In “hope against hope,” on view at 56 Henry in New York City through January 29th, Timo Fahler uses stained…
Reviews
Wu Jian’an at Chambers Fine Art, New York City (Review)
Born in 1980, Wu Jian’an has been an associate professor of experimental art at the Central Academy of Fine Arts in Beij…
Aïda Muluneh: Water life at the Textile Museum of Canada (Review)
Water is life. For those of us who have clean water in abundance, it is hard to imagine what life would mean without it.…
Bharti Kher’s Ancestor: The Totem of Unity We Need Right Now
Matriarch, mother, goddess. A mere glance at her eighteen-foot-tall presence — forbidding yet nurturing, confounding yet…
Making a Splash: Deanna Sirlin, Watermark At the Georgia Tech Library, Crossland Tower, 2022
Deanna Sirlin, Watermark at Georgia Tech Library, Crossland Tower April 13, 2022, through December 28, 2022 Images court…
Angelo Filomeno at Visitor Center, NY (Review)
Visitor Center, located in Newburgh, across the bridge from Beacon (and Dia Beacon), is an upstate outpost we should pay…
Akshita Gandhi Presents Electric Fluctuating Scenes of Mumbai and Udaipur in London
Mumbai-based artist Akshita Gandhi’s first solo show in the UK is presented as a “love letter” to her home, reflecting o…
Tate Britain Commission | Hew Locke: The Procession, London
A procession is part and parcel of the cycle of life; people gather and move together to celebrate, worship, protest, mo…
Sanctuary through the Work of Zac Hacmon, NYC (Review)
The positive concept of liberty is “to choose to live as they desire.” -Isahia Berlin, 1969. A deeper glance into the sc…
Etty Yaniv: Inversion at Palazzo Mora in Venice, Italy (Review)
Installation view, Etty Yaniv: Inversion at Palazzo Mora in Venice. April 23rd and runs through Nov 27th Images courtesy…