Michael “Mike” Kelley often took on an anthropological view of American pop culture throughout his artistic career. Neve…
Los Angeles
Go West: Garis & Hahn – The L.A. Edition
Several changes have swept the New York art terrain and one of them seems to be the wind is moving to the west – well, W…
The challenge of Radical Women at The Hammer Museum
Hammer Museum has taken a new step into the realm of contemporary art by showcasing a large scale exhibition called Radi…
Ad Minoliti: G.S.F.C. 2.0 (geometrical sci-fi cyborg) at Cherry and Martin Gallery
For “Pacific Standard Time: LA/LA,” a city-wide, far-reaching and ambitious exploration of Latin American and Latino art…
Jennifer Guidi: More Life at David Kordansky Gallery
For centuries, Tibetan Buddhist monks have carried on the tradition of creating and destroying elaborate sand mandalas r…
Amir H. Fallah: A Stranger in Your Home at Shulamit Nazarian
Bursting with symphonic sunset shades, lush vegetation, and intriguing portraits that spark more questions than they ans…
Interview: Alan Shaffer in Collaboration with Ed Moses at Craig Krull Gallery
Interview with Artist Ed Moses Ed Moses has been a central figure in the Los Angeles art scene for almost 60 years. He f…
Dislocation Can Be a Great Thing
Lauren Marsolier for her third solo exhibition entitled Dislocation transported us into her interior world where the rea…
Interview with Artist Samuel Jablon
Samuel Jablon is a Brooklyn-based artist. He has a solo show at the Diane Rosenstein gallery in L.A. Sept 10 – Oct 15, 2…
Sasha Pierce: Tessellations, Textiles and Illusionistic Space
LM: Recently, I had the pleasure of viewing your paintings at the Richard Heller Gallery booth during the Untitled Miami…