Spooky season may be over, but there’s still time for you to delightfully dwell in the paranormal and the bordering-exis…
Abstract
Brent Wadden: Second Life at Mitchell-Innes & Nash
PR: Mitchell-Innes & Nash is pleased to present Second Life, an exhibition of new works by Canadian-born artist Bren…
Anish Kapoor at Lisson Gallery
Lisson Gallery is currently presenting an exhibition in New York with Anish Kapoor, one of the most celebrated artists o…
A look at the Norman Lewis painting, Untitled (1973)
“…the goal of the artist must be aesthetic development, and in a universal sense, to make in his own way som…
FIAC Paris Review
FIAC week in Paris is a truly exciting time of the year. For four days, we lived in a contemporary art and culture marat…
Dona Nelson’s Painting the Magic at Michael Benevento
PR: Michael Benevento is pleased to present Dona Nelson’s Painting the Magic Mountain featuring 18 paintings, 17 w…
Hauser & Wirth Gets Intimate with Personal Private Public
As concerns arise and intensify around the question of domains of privacy – of what is public versus what is private, th…
Márton Nemes: Ghosting Love at Annka Kultys Gallery, London
PR: Annka Kultys Gallery presents Márton Nemes: Ghosting Love, the gallery’s inaugural solo exhibition of the London-bas…
Opening Night Impressions of Origins at Signs and Symbols
On the evening of September 4th, the air was fresh and the streets were humming with curious excitement as the skies ove…
Rainer Gross at Galerie Richard
Rainer Gross is a seventy years old German painter, who is originally from Cologne but spends most of his time in New Yo…