Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels

Installation view, Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels
Mickael Marman Selfie (dad), 2020 Oilstick, acrylics, spraypaint on linen 150 x 221 cm
Mickael Marman Untitled, 2020 Oilstick, acrylics, spraypaint on linen 135 x 151 cm
Installation view, Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels
Mickael Marman Sunbathers, 2020 Oilstick, acrylics, spraypaint on linen 150 x 163 cm
Mickael Marman M.Painting / Untitled, 2019 Paper, spray paint, acrylics, watercolors on canvas 40 x 30 cm
Installation view, Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels
Mickael Marman M.Painting / no se faltas arboles, 2019 Paper, spray paint, acrylics, watercolors on canvas 40 x 30 cm
M. Painting / no se faltan zombra, 2019 Wood, stones, acrylics, watercolors, paper, spray paint on canvas 40 x 30 cm
Installation view, Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels
Mickael Marman M.Painting / el nieve nunca se faltan por las playas en Mexico, 2019 Paper, stones, spray paint, watercolors, sand, acrylics, stones, molding paste on canvas 40 x 30 cm
Mickael Marman M.Painting / untitled (sunset), 2019 Sand, molding clay, spray paint, acrylics, watercolors, paper on canvas 40 x 30 cm
Installation view, Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels
Mickael Marman M.Painting / Puntacometa, 2019 Wood, acrylics, sand, stones, spray paint, molding clay, paper on canvas 40 x 30 cm
Mickael Marman M.Painting / a la Izquerda, 2019 Spray paint, molding clay, watercolors, acrylics, paper, stones, sand on canvas 40 x 30 cm

Mickael Marman: Man and Sea at Damien & The Love Guru, Brussels

to Aug 22, 2020
All images courtesy of Damien & The Love Guru and the artist

Correctness With Drawl
Qualified and quantified experiences of


Mickael and I spent two weeks in Mexico City in the Winter of 2019. I was there to show with Priya at the Material Art Fair. Mickael was traveling around Central and South America by himself on a Norwegian Artists Grant. We stayed in an Airbnb in Roma Norte, the Northern section of the Roma Colonia in the Cuauhtémoc Borough, just West of the Historic Center. We traveled around the City by Foot and Subway and Uber. The difference between Traveling and Touring is not easily defined in the ways I’m thinking, but some steps can be made: leisurely escapism and the desire for being serviced, compared to exploration, observation and participation where others might be afraid, or prohibited, to go and then to stay.
What exactly does this Memory of a Trip have to do with an Exhibition of Paintings in a Gallery in Brussels… A framing and reframing for each other. I was supposed to meet Mickael at Koku in Cuauhtémoc, but was running late and stuck in Traffic after visiting Espacio Escultórico at UNAM. I entered the crowded Restaurant and told the Host in English that I was there to meet my Friend, and asked if anyone was waiting for Me. He said there wasn’t but I could wait outside for Them. After some time, I spotted Mickael shoved into the Corner at the Bar, eating furiously. He had arrived earlier, but they didn’t want to seat Him, and asked to see His Passport. They wouldn’t let Him eat until He could prove who He was. I recently asked Him if He could tell me anything more about what happened, He said He just couldn’t remember. “The scary thing is that it’s not a one off, such things happen [and] they go in a big big book…I can’t always remember.” I said I had remembered Him being so angry at the time, He responded “Yes It cools off quick”

To speak with Philosophers, one could talk about biology and physiology, with Gallerists about observation and spirituality, with Consultants talk shows and Thomas Bernhard. With Mickael, there is a lot to share, indifference coupled with delighted skepticism.
Identity as product, politics as coke, cash and credibility fueling a neo-colonial march into the future, Ubers and mezcal. A bastardized version of figuration, of naive bodies and grit stretched and lacked. Colonial tropical abstract abjection of this bricollaged rant as well tries to fit in, IDEALIZED LANDSCHAFT OF MOUNTAINS AND PLANETS AND SEAS AND TEARS. Conservatism is not subjugated, just repressed and evolved and unbound by the screams and selfies and rainbows of the righteous (don’t want to attack rainbows, but they have a high morality index). Meanwhile violence is more and more seen as a logical and emotionally effective solution. It always was, it never went away. We bathe in violence everywhere. Logic is violence, effectiveness is violence, aspiration is violence. Black squares raining suprematism blood in my feed, abolish prisons, burn all maxi prisons, there are no easy answers, we could have done better why don’t we do better i’m fine.

Now to fend a fight with kiwis and ozzies and osties and patisseries on a split screen of pandemia auto erotic identification and stillborn arguments based on based ideals is as important as an impotent chango searching for the 20 euro tip
like trying to get really good at masturbation, painting the world in seamen

Where are the spaces for each other, together? I don’t have any solutions, or ideas.
Maybe there’s some reverse colonialism we can try. Take from
Gambia, insert into Oslo, raise in community. Travel. Educate Amsterdam, Hamburg, Frankfurt, land Berlin, back to Gambia, Mexico, and now Brussels see.
I do like cities, crowded and living, with and under, beside difference and risk. I personally am a product of gentrification, immigration, privilege, patriarchy, public education, Quaker education, liberalism and neo-liberalism, religious conservatism, anti-semitism, class, divison and disparity, Honi soit qui mal y pense, where does this put me in the conversation. If you prefer to sit inside safe, you’re not really in it for everyone.

“I been cryin’ in the sunshine
I been laughin’ in the rain
You know, dyin’ is easy
It’s livin’ that’s pain”

In the end we are standing in a storefront space of the gallery Damien & the Love Guru, in the Saint Gilles neighborhood of Brussels, Belgium, with two groups of paintings from Mickael hanging on the walls. These were made on the Costa Chica, while traveling in Oaxaca up into the state of Guerrero, Mexico, and in a studio in Wedding, in the city of Berlin, Germany.
George Rippon, 2020

Berlin, March 2019

On a recent trip I made by myself to Mexico, I planned to relax on the Costa Chica in Oaxaca, and Guerrero, where I wanted to visit a museum and do some research. The Costa Chica is known for being the home of a very marginalized group, the Afro-Mestizo people. These people are the descendants of former slaves who fled and settled in this southern coastal region of Mexico. They stand out culturally due to the color of their skin, their cooking, and other elements such as dance and music.
I made my way to a beach called Playa Mazunte to get some sun and to work. The beach was an absolute shock to me, but at the same time it filled me with a very distinctive feeling that I can only describe as “delighted-misanthropic.” Since I was not recognizable as a backpacker, nor had any will, intention, desire, or capability to take part in socializing there, I created my own little environment by renting a very cheap cabana at the more “Mexican” part of the beach where I would be left alone to ob- serve the backpackers from afar, as well as to make short hikes into their territory when the desire for food or beer came into play. The comparison to a zoo is really not that far removed from the feeling I got from the experience. As a “participating observer,” I would feel a little disgusted by the zoo-like atmosphere and was happy to leave again.

Backpacking has its own subculture, what I call “dread packers.” They have their own style, full of adapted religious attributes, hairstyles, clothing, and rituals. These are common features one can see practiced in the respective enclaves that they frequent, which are almost exclusively found in former colonial countries. The already existing communities in these places frequented by backpackers entirely work and base their livelihood on catering to the needs of the backpacker, with businesses providing food, drugs, internet cafes, supermarkets, parties, and other things the backpackers crave in their immediate space. In my experience, the “dread packer” tends to see him/herself as part of an outsider movement that stands out from society, they have little to no interest in cultural discourse or knowledge and believe he/she has the right to use cultural symbols and fashion statements because he/she is a person of the world who sees no distinction in color or human values within society.

My resentment of the “dread packer” may well be rooted in some kind of self-loathing. Though I’m very fond of traveling, as backpackers mainly are, I suppose, I still feel a very strong antipathy towards the idea of the “backpacker,” and consider myself more of a “traveler.” There is a substantial difference in my opinion. Backpackers often go to traditional trails, stay at designated back- packer hostels and mostly mingle with others from their “tribe.” They generally have little interest in the cultural context of the places they visit but a significant interest in finding places that suit their lofty ideas around escaping capitalist society, while in the meantime looking for an authentic place in the respective countries they are visiting. Often this ends in enclaves I choose to call neo-colonial camping sites.

The main visitors to these places are mostly young, white, and western, seemingly belonging almost exclusively to this demographic. Even though a significant number of people of color have been living in western countries for a long time, very rarely have I met black people traveling. This may be due to economic/cultural reasons but also to racist obstacles that BIPOC generally experience when traveling.
Visiting such places as an Afropean, when not being an obvious participant in the backpacker cult, can lead to misunderstandings as the defined participants are unsure whether you are working there or not. Also, as I was speaking Spanish and being quite an unmistakable misanthrope made at times for many absurd situations. Without a scene or a crowd misanthropy can’t exist.

Can it?

Although at times it can be very intense, traveling as an Afro- pean is an interesting experience. There is the ambiguity of not quite belonging yet constantly being questioned whether one does belong, while also feeling sympathy for not being in a mostly white environment that one is used to when hailing from a western country.
While not being mistaken for a local and when one doesn’t stick out as a rich white person, a little bit of street smarts gives one the ability to venture into less affluent areas. Besides, it pays to be knowledgeable of the prevalent culture in the places one travels and to be aware of the political ideologies and racist tendencies within certain areas of a region or city.

I myself don’t travel to the very eastern parts of Europe (nor Berlin, the city I live in) and am also careful when traveling to certain parts of southern Europe. How one conducts oneself is key here. For example, if I need to use a toilet at a cafe I’m passing by while walking the streets in Berlin, I’d rather ask in English than in German, so I can pass as a tourist. In my experience, it’s the best way to get a pass, which means exaggerating the tourist in you. The impact on me from these experiences and this awareness is definitely the reason why I enjoy traveling alone, even though I may feel lonely while doing so for the obvious reasons.

Let’s get back to the other group… The “traveler” is the subgroup I define myself by and would so characterize most of my friends who are actively moving about in this group of “travelers.” The traveler has a particular interest in the places he/she is visiting and delves more into the local culture. Often, he/she is in the country due to professional work or could be pursuing job opportunities. The traveler often has a profession and is not trying to escape “the man.” The traveler is generally knowledgeable about the ongoing political climate and the different cultures in the country he/she visits.

The cultivated traveler…

It may sound snobbish on my part, but the traveler is in many ways a snob. He/she ironically distances him/herself from mass tourism, “dread packing,” and sees him/herself as a privileged person knowing what is authentic or real in any country visited. Again, a western person comes to a country and (finds him/herself in a more informed position) thinks of him/ herself as more informed than the people who reside there. This can be problematic in several ways and leads me back to neo-colonialism.

In the age of Tripadvisor, Airbnb, and other service/review-based platforms, opinions on authenticity and reality are big bucks, and in many cases can mean make or break. One often reads of cafes serving homemade meals, or rooms offered in the heart of wherever, followed by opinions by travelers who’ve used these services. It’s interesting reading the different reviews and then to see where the reviewer is writing from.
Americans often complain about the service of restaurants, given the service minded people they are, and that’s understandable though sometimes amusing in context of the places they review. Certain cultures have less focus on service and focus more on the meal itself, something I highly appreciate. This is in contrast with some experiences I had in New York where I was perturbed by an overeager waiter culture getting me confused about whether the waiters wanted to make a pass at me or allow me to enjoy my meal in peace. Norwegians on the other hand often complain about overfriendly/annoying waiters, and/or loud music in the facilities.

Fake or make?

The power of the good review can be crucial to a business. There used to be a time when the customer was king, but now the reviewer is comparable to a medieval tyrant deciding whether a family flourishes or dies, all depending on subjective meaning or just as casual as the mood of the day, and nowadays is determined by the eagerness of the electronic guillotine at hand. Previously food criticism dwelled on the food itself, the thing consumed, but now can also include the lack of parking spaces etc. This is best portrayed in the South Park episode “You’re not yelping.” Hence my general suspicion of all this stuff… I’m for the power of the consumer.


In my opinion, this tendency often leads to services bending over backwards for the need to be validated by neo-capitalism and this creates kitschy and/or stereotypical ideas of the authentic, rather than existing by itself or being progressive and innovative.

Berlin, June 2020

I never knew what I was using this text for and constantly postponed writing more on it, both for lack of a deadline or imminent publication. But now, as I wanted to finish it for this show, so much of the world has changed: the subjects involved are still highly relevant but the feeling persists that no-one any longer knows anything.

Assistant Administrator

Assistant Administrator

The press release and the photographs are courtesy of the gallery and the artists.

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