• Logical Guesses at Driscoll Babcock gallery curated by House of the Nobleman

    Sol Lewitt 1 2 3 2 1 (CROSS), 1980 Painted aluminum, 16 x 70 ¾ x 70 ¾, overall installation
    Sol Lewitt, 1 2 3 2 1 (CROSS), 1980 Painted aluminum, 16 x 70 ¾ x 70 ¾, overall installation
    Everyone loved this piece by Alice Hopes
    Everyone loved this piece by Alice Hope  
    James Scott, UNTITLED, 2013 Acrylic, sumi ink, and rice paper on laser cut paper, 61 x 41 inches
    James Scott, UNTITLED, 2013 Acrylic, sumi ink, and rice paper on laser cut paper, 61 x 41 inches

    The minimal and concrete is put in the abstract spotlight at House of the Nobleman’s latest group show Logical Guesses. Opening at the Driscoll Babcock galleryLogical Guesses features art that utilizes equations and patterns that highlight logic and reason over emotional catharsis. With works from artists such as Harriet Bart, Jarrod Beck, Dan Flavin, Alice Hope, Marylyn Dintenfass, Sol Lewitt, Charles Lutz, Ryan and Trevor Oakes, and James Scott, Logical Guesses is a collaborative celebration of the technical. Experiencing the physical size, structure, and spacing of the art is one of the many draws of Logical Guesses.

     

    Logical Guesses March 13 – April 26, 2014

    Driscoll Babcock gallery

    curated by House of the Nobleman

    525 West 25th Street

    New York, NY 10001

    (212) 767-1852

    info@driscollbabcock.com

     

    Gallery hours:

    Tuesday-Friday, 10AM-6PM

    Saturday, 12PM-6PM

     

    Writing by  Stephen Hilger

    Photos by Jamie Martinez

     Ryan and Trevor Oakes MATCHSTICK DOME, 2013-2014 Matchsticks and gel matte medium, 9 x 9 x 4 ½ inches
    Ryan and Trevor Oakes, MATCHSTICK DOME, 2013-2014 Matchsticks and gel matte medium, 9 x 9 x 4 ½ inches
    (L-R) Co-foundercurator Anastasiya Siro, Director Kristin Sancken, and curator John J McGurk of the House of the Nobleman
    (L-R) Co-founder Anastasiya Siro, Associate Director John J Mcgurk and Director Kristin Sancken of House of the Nobleman
    Ryan and Trevor Oakes, SYNCHRONIZED FIELD (HORIZON), 2012, Shellac ink, vinyl acrylic, and metallic pigment on Japanese paper, 25 x 22 inches
    Ryan and Trevor Oakes, SYNCHRONIZED FIELD (HORIZON), 2012, Shellac ink, vinyl acrylic, and metallic pigment on Japanese paper, 25 x 22 inches
    Sol Lewitt 1 2 3 2 1 (CROSS), 1980 Painted aluminum, 16 x 70 ¾ x 70 ¾, overall installation
    Sol Lewitt ,1 2 3 2 1 (CROSS), 1980 Painted aluminum, 16 x 70 ¾ x 70 ¾, overall installation
    Crowd shot of the opening
    Crowd shot of the opening
    Marylyn Dintenfass LEGATO V, 2013 Ultraviolet Etching, 128 x 96 inches
    Marylyn Dintenfass, LEGATO V, 2013 Ultraviolet Etching, 128 x 96 inches
    Jarrod Beck TERMINAL MORAINE, 2012  Charcoal and graphite on paper, plaster cast,  120 x 240 x 6 inches
    Jarrod Beck, TERMINAL MORAINE, 2012 Charcoal and graphite on paper, plaster cast,
    120 x 240 x 6 inches
    Ryan and Trevor Oakes, THE HAND 1, 2014, Oil on canvas, 76 x 50 inches
    Ryan and Trevor Oakes, THE HAND 1, 2014, Oil on canvas, 76 x 50 inches
    Marylyn Dintenfass LEGATO V, 2013 Ultraviolet Etching, 128 x 96 inches
    Alice Hope, UNTITLED (BINARY CODE: LOVE), 2013 Ball chains on perforated panel, 36 x 72
    Marylyn Dintenfass LEGATO V, 2013 Ultraviolet Etching, 128 x 96 inches
    Marylyn Dintenfass, LEGATO V, 2013 Ultraviolet Etching, 128 x 96 inches
    James Scott UNTITLED, 2013 Acrylic, sumi ink, and rice paper on laser cut paper, 61 x 41 inches
    James Scott, UNTITLED, 2013 Acrylic, sumi ink, and rice paper on laser cut paper, 61 x 41 inches
    Guests enjoying the fun opening
    Guests enjoying the fun opening

     

     

     

     

     

     

     

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