• The Beacon at Salomon Contemporary January 10 – February 16th

    Artist Spencer Tunick next to his work “Mantauk 2”
    Left to right: April Gornik, Spencer Tunick, and Alex Rockman photo by Dave Rittinger
    Opening of The Beacon at Salomon Contemporary

    Salomon Contemporary presents The Beacon, an exhibition of works by Meghan Boody, Joe Bradley, Phillip Estlund, John Gordon Gauld, April Gornik, Alexis Rockman, Michelle Stuart, Spencer Tunick and Lawrence Weiner. Inspired by the regional occurrences that have wrecked our habitats and compromised our daily lives in varying degrees, the exhibition highlights select stages of a natural disaster, from beginning to aftermath. While some works include the proverbial beacon or “guiding light,” others portray extreme weather or its consequences.

    In Meghan Boody’s photograph There Was No Possibility of Taking a Walk That Day, there is a sense of isolation and anticipation, as a reformatory girl gazes out the window to the lighthouse in the distance.

    Alexis Rockman’s Aral Sea and Runoff highlights two conflicting natural disasters in motion. As yin and yang, each environment is desperate for what the other has­—the Aral Sea dries up from lack of water, while Runoff overflows with extreme excess of it.

    Joe Bradley, Untitled, 1997 Oil on linen, 9 by 11 inches  photo by Dave Rittinger
    Artist John Gordon Gauld next to his work

    John Gordon Gauld’s painting Wildflowers and Their Teachings depicts a collection of decayed objects that fell victim to a flood—the background is no exception, and is also peeling away. While originally functional objects, water has rendered them useless, but also imposed a new beauty of its own. The same grim beauty is evident in April Gornik’s Sea After Storm. A hint of light can be seen in a distance as the dismal clouds roll away and the water settles after its agitation.

    Sail On by artist Lawrence Weiner

    Lawrence Weiner’s Sail On epitomizes through text the feeling of moving forward in life as time presents its obstacles; and in Spencer Tunick’s Montauk 2 a community stands as one, confronting the sea, the guiding light present in the background.

    Artist Spencer Tunick entertaining the crowd
    Opening for The Beacon at Salomon Contemporary

    The exhibition is about the inner sanctums of one’s mind and the will to carry on as a survival instinct. At any moment there are countless people in crisis—with outside help and inner strength, an individual or community will find a way to get through obstacles and hardship. In a sense, we all harbor an internal beacon—a light that navigates us back to safety.

    photography by: Max Noy and Jamie Martinez



    526 West 26 Street, #519

    New York, New York 10001

    From Left to right: Phillip Estlund, Michelle Stuart and John Gordon Gauld
    Michelle Stuart, Sebald’s Fate, 2010 Archival ink-jet prints, 34 by 32 inches in 12 parts
    Opening for The Beacon at Salomon Contemporary





    Press release and photographs courtesy of the gallery and the artists. If you would like to submit your photo story or article, please email INFO@ARTEFUSE.COM.

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