Del LaGrace Volcano: A Mid-Career Retrospective Curated by Jonathan D. Katz and Julia Haas
September 19-November 11, 2012
Opening Reception: Wednesday, September 19, 6-8pm 26 Wooster Street, New York City
The Leslie-Lohman Museum of Gay and Lesbian Art is proud to present Del LaGrace Volcano: A Mid-Career Retrospective, the first U.S. museum exhibition of the gender variant artist’s 30-year career. A pioneer of LGBT photography, Volcano’s work undercuts assumptions about the legibility of gender. Widely celebrated as a significant figure at the center of a conversation about the body, gender and sexuality in Europe, Volcano is little shown—and therefore little known—in the United States where s/He was born. In a survey of portraits and self-portraits, Volcano, with disarming frankness, charts the often complicated relationship between physical transformation and shifting identifications. The chief strength of Volcano’s work is his/her playfulness with categories and structures of sexuality, gender and identity–a push to redefine the body as always in process, a mutable container of flesh. Volcano mobilizes his/her intersex gender and identity as an alternative to binary gender norms, recognizing that for many gender, like sexuality, is not an either/or equation.Above all, Volcano’s work is not transgender, at least as the term is normally deployed to suggest the legible progression form one gender to another, but rather about intersex, the interstitial space between genders, partaking at the same time of aspects of both. As the use of alternating pronouns evidences, Volcano understands his/her work as a continuous challenge to standards of gender legibility and knowability.
When s/He photographs a gender indeterminate black model in black face dressed in showy vaudeville garb in a desolately unpeopled all-white Antarctic landscape, all visible signifiers of identity cancel each other out. White meets black, blackface meets black, culture meets nature, male meets female. Volcano’s refusal to adhere to knowable standards extends to every level of his/her work, resulting in images that question assumptions about gender, as well as mainstream social standards including race, sexuality, and beauty.
“My intention is to explode the notion of the truthful body,” says Volcano. “My work demonstrates how physiological sex is every bit as much of a cultural construct as gender. Although we all know that the relationship between a photograph and the truth is unreliable at best, we still want to believe what our eyes tell us.”
Volcano’s particular kind of gender subversion is a lie that generates another lie: there is no moment of “reveal” like in the climax of the old time drag show where the queen removes her hair and gender is again re-stabilized. Instead, what is revealed from the performance in these images is more performance.
Del LaGrace Volcano was born in California and currently lives in Sweden. s/He attended the San Francisco Art Institute, and received an MA in Photographic Studies at the University of Derby in 1992. Volcano has published five books, Love Bites (Gay Men’s Press, 1991), The Drag King Book with Judith Halberstam (Serpent’s Tail, 1999), Sublime Mutations(Konkursbuchverlag, 2000), Sex Works (Konkursbuchverlag, 2005), Femmes of Power: Exploding Queer Femininities with Ulrika Dahl (Serpent’s Tail, 2009).
Selected exhibitions include sh(OUT) at the Museum of Modern Art, Glasgow, Scotland; Corpus Queer: Bodies in Resistanceat Le Transpalette Centre for Contemporary Art in Bourges, France; Street Style at the Victoria and Albert Museum, London, UK; Das Achte Feld: The Eighth Square, Ludwig Museum, Koln, Germany; and En Todas Partes: Politicas de la Diversidad En El Arte (Everywhere: Sexual Diversity Policies in Art), Centro Galego De Arte Contemporanea in Santiago de Compostela, Spain.
Volcano’s work has been cited and reproduced in numerous publications, journals and books on visual art and queer and feminist theory, including Female Masculinity by Judith Halberstam, the Guggenheim exhibition catalog Rrose Is A Rrose Is A Rrose: Gender Performance in Photography, Stolen Glances: Lesbians Take Photographs by Tessa Boffin and Jean Fraser,Intersex and After in GLQ: A Journal of Lesbian and Gay Studies, Art and Photography by David Campany, and The Feminism and Visual Culture Reader edited by Amelia Jones.
Del LaGrace Volcano: A Mid-Career Retrospective will be on view September 19 through November 11, 2012. There will be an opening reception Wednesday, September 19 from 6 to 8 pm. Books by Volcano, Femmes of Power and Sublime Mutations,will be available for purchase.
About the Leslie-Lohman Museum of Gay and Lesbian Art
The Leslie-Lohman Museum is the first and only dedicated gay and lesbian art museum in the world. Its mission is to exhibit and preserve gay and lesbian art, and foster the artists who create it. Our collection speaks directly to many aspects of the gay and lesbian experience, including political, historical, romantic and social imagery. We embrace our rich creative history by informing, inspiring, entertaining and challenging all who enter our doors.
The Leslie-Lohman Museum of Gay and Lesbian Art has a permanent collection of more than 6,000 objects spanning more than three centuries of gay and lesbian art. Our programs include 6-8 major exhibitions a year, film screenings, plays, poetry readings, artist and curator talks, panel discussions, THE ARCHIVE-a quarterly newsletter focusing on gay and lesbian art and artists, a membership program, a research library and an archive of the permanent collection.
The Leslie-Lohman Museum of Gay and Lesbian Art began as the Leslie/Lohman Gay Art Foundation, founded by Charles W. Leslie and Fritz Lohman, and has supported gay and lesbian artists for more than 20 years.
The Museum is located at 26 Wooster Street (between Canal and Grand Streets), in the SoHo neighborhood of New York City. Admission is free, and hours are 12pm-6pm Tuesday through Sunday. The Museum is closed Monday and all major holidays. The museum can be reached at 212-431-2609. For more information, go to www.leslielohman.org.
REVERBERATE! Marketing Communications
New York, NY
Sign up for our newsletter!
- Hito Steyerl »How Not To Be Seen. A Fucking Didactic Educatio-nal .MOV File«, 2013 (still) HD-video (still),16:9, color,… »
- Susan Breen, “Square VII”, 2015Oil on paper,12 x 12 inches; 30.48 x 30.48 cm Susan Breen, “Order of Things II”,… »
- Initially, in Japan, tattoos were reserved to mark and identify criminals. Later, apparently, middle class guys who saw… »
- Shinsui, Ito - After Bath - 1917 One of the reasons why the color red is able to arrest our attention so easily is that it… »
- The Erik Thomsen Gallery specializes in Japanese screens and scrolls. Thomsen, himself, was born to Danish parents in… »
- A guest enjoying the work of Tom Sanford Our favorite painting of this show is by Christian Rex Van Minnen Upon… »
- Painting by Logan Hicks Upon making our way through the Mondrian Hotel in Soho, we first had to wander through a vine… »
- A peek at Thursdday Art Night in Chelsea Up CLose with artist Fernando Mastrangelo The subtle beauty of work by… »
- Art stands tall at Vito Schnabel Gallery Bruce High Quality Foundation at Vito Schnabel Gallery Living the art life on… »
- There are 42 different art galleries, from several different countries, participating in this year’s Asia Week (March 13… »