Pace Prints is pleased to present Harmony & Discord, an exhibition of new works by Shepard Fairey, created in the Pace Editions studios in New York. This is Shepard’s first exhibition with Pace Prints and premiers his first works in handmade paper as well as the largest screenprints he has done to date.
Harmony & Discord references the global dichotomy of politics; what forces it creates on the grand scale and how that reflects on the actions and awareness of the individual. Responding to the energy of New York, Fairey worked on this technically complex body of work in a series of sessions at the Pace Editions studios. During this residency he also went out on the streets and made a number of large murals.
On view will be a number of silkscreens done with collage and spraypaint, as well as handmade paper, embossment and relief prints, and large metal plates with screenprint. Though Shepard approached the work in the same way that he does in his studio, Pace Editions provided the opportunity to scale the work to a larger size. Relating to the surfaces of his street work, the hand painted multiple (HPM) works in this series have backgrounds of stenciled pulp, collage, screenprint and embossment, allowing the image to pop off of its vintage, layered surface. This exhibition also marks the first time Fairey presents metal relief plates as art pieces, layered with silkscreen, furthering spatial extent within the work.
Subjects in the exhibition include Fairey’s Imperial Glory and Power images, both of which pay homage to Lichtenstein’s style while referencing issues of the military industrial complex. Also on view will be The Reagan and Friends series, depicting politicians and corporate bosses as manipulative salesmen. A more graphic grouping of works, which all utilize the target as a device, examines symbols, stereotypes and propaganda. Topics include war and peace, political corruption, global warming, and personal empowerment and responsibility.
521 W 26th Street
Sign up for our newsletter!
The Space Between a Group Exhibition Curated by Diana Buckley at Paul Kolker Collection. November 13-16, 2014 Opening Reception Thursday, November 13 from 6-8 PM
Antonio Petracca, Kim Foster Gallery, October 2014
Julien Levy, Garis & Hahn, October 2014
- The art set at Driscoll Babcock Judith Lauand at Driscoll Babcock Everything old is new again. The cyclical nature of… »
- Art night in Chelsea at Yancey Richardson Thursday Art Night in Chelsea at Yancey Richardson Artist Bryan Graf … »
- 16.0, Brent Birnbaum, Paint On Treadmill, 57 x 56 x 124 in New York, New York, October 22, 2014—Diana Buckley, guest… »
- Erik Jones working on a huge 5 ft x 12 ft painting A work by Hueman A work by Alex Yanes Hueman with one of her… »
- Between the art of Thomas Scheibitz Opening for Thomas Scheibitz at Tanya Bonakdar Cheers to art on Thursday in… »
- On October 29th Mark Schubin will give a free presentation, as part of National Opera Week, at Neil Scherer’s Going… »
- Some words from Linda Yablonsky. During her life this person has written only one novel but she’s among the most… »
- As Director Richard P. Townsend explained during the press preview, MOBIA is following up its Back to Eden show (reviewed… »
- Egg-before conception Breaking the mold of the sort of artworks shown at Dacia gallery, Ted Barr's "Cycle of Life" show… »
- Mikhail Larionov (1881-1964), Abstract Composition, 1910, Pencil and watercolor on paper, 16.5 x 12 in / 41.9 x 30.4… »