David Zwirner presents a solo exhibition of new work by Marcel Dzama, on view at the gallery’s 525 West 19th Street space. The exhibition will feature the artist’s film, A Game of Chess, alongside related drawings, sculptures, and dioramas. Dzama has become known for his prolific drawings, which are characterized by their distinctive palette of muted browns, grays, greens, and reds. In recent years, the artist has expanded his practice to encompass three-dimensional work and film and has developed an immediately recognizable language that draws from a diverse range of references and artistic influences, including Dada and Marcel Duchamp.
Dzama’s film features characters based on the classic game of chess. Dressed in geometrically designed costumes of papier-mâché, plaster, and fiberglass and wearing elaborate masks (including a quadruple-faced mask for the King), the figures dance across a checkered board to challenge their opponents in fatal interchanges.
Chess occupied a central role for the early twentieth-century avant-garde, who drew explicit analogies between the game (with its intricate balance between improvisation and predetermination) and artistic practice. Dzama is influenced by German Bauhaus artist Oskar Schlemmer, whose Triadic Ballet from 1922 included puppet-like, costumed, and mask-wearing figures dancing across a checkered surface. French film-maker René Clair and painter Francis Picabia were amongst other artists who integrated ballet and chess in their works from the 1920s, employing the special set of rules and moves of the game as metaphors for larger questions regarding free will, destiny, and technological determinism.
Both the filming and the creation of the costumes for A Game of Chess were carried out in Guadalajara, Mexico, and the influence of local crafts and religious traditions can be felt throughout this body of work. Notions of scapegoatism and resurrection blend with the timeless idea of rivalry represented by the game, and distinctions between reality and fiction ultimately become blurred as both costumed and “real-life” characters in the film are killed. The storyline in this way recalls the Surrealist predilection for dream logic over conventional narrative form—epitomized by Luis Buñuel’s films from the late 1920s and early 1930s. However, Dzama still retains a strong sense of a plot, with subtle insinuations to contemporary life discernible throughout.
The exhibition will also present rotating sculptures based on central characters in the film, as well as a mechanized carousel with puppets made from tin and ceramics. Upon entering the exhibition, visitors will first encounter Dzama’s drawings and a room of sculptures before reaching the film installation. This gradual, three-tiered transition from flat, wall-mounted works, via rotating sculptures, to moving images coincides with a shift from light, quiet spaces to the darkened area of the film with its accompanying acoustics. Further emphasizing this contrast, a mariachi band will stage a live performance of music inspired by the film’s soundtrack on the exhibition’s opening night and at selected times throughout its duration.
Sign up for our newsletter!
“Sir! Sir! ….Sorry.” By Ivaylo Gueorgiev at Launch F-18
- And it was a buzzing night on all levels I’d already had my share of overly-saturated experiences on Friday before I… »
- Breaking out of frame at NYSRP (L-R) Michael Geiger, Danielle Colon, William Powhida, Alan Lupiani, Tessa Binder The… »
- At Radiator Gallery in Long Island City Performance piece at the freight elevator Last week I was invited by a friend… »
- AF: Congratulations on your show Rad Roubeni. Can you please tell Arte Fuse about your background in photography and how… »
- Art night in the LES can be a golden opportunity Artist Elise Adibi The last time I saw the work and reviewed Elise… »
- Art night on the LES in Krause Gallery Stephan Zirwes & Marco Guglielmino at Krause Gallery Installation shot of… »
- Public Display: Streetscapes by Rad Roubeni Opening Reception: Sunday, December 21, 2014 4 - 7 p.m Exhibition… »
- Bloody good photos at Site 109 Photography lovers at Site 109 A bird's eye view at Site 109 Close Up Detail on one… »
- Prime Set Who: Justin Stewart, Chandler Craig, Allison Barker and a collective of musicians, visual artists, and… »
- Festina Lente group show at Create and Collectduring Art Basel week 2014 Laura Cartagena and Tatiana Camacho WYNWOOD,… »