Nathan Harger photographs objects, scenes and spaces in the everyday urban environment such as highways, cranes, bridges, airplanes, power lines, factories and other structures behind the massive forms of production that shape American culture. The earlier works exhibited are grids, which show his conceptual development and his negotiation of the dynamic visual experience of a city [Untitled (Overpass), Queens, NY, 2007]. The recent works are high contrast black-and-white photographs, such as Untitled (Process Tank), Brooklyn, NY, 2010. The industrial spaces in the outer boroughs of New York City, New Jersey and Western Pennsylvania where Harger photographs are not tourist sites; they are often restricted areas around factories, power plants and airports at the fringes of the city.
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Ryan Piers Williams: Monsters and Landscapes
2015 OPEN CALL AT COOHAUS ART MORA GALLERY
- Thursday Art Night at Dillon Gallery The eyes have it in the work of Santiago Ydanez Artist Santiago Ydanez The… »
- The art crowd at Winston Wachter Gallery The image transformed in the work of Margeaux Walter Artist Margeaux… »
- Maria Constanza Cerullo Chief Curator at MACBA MUseum I AF: MACBA - Museum of Contemporary Art in Buenos Aires opened… »
- Guests enjoying the project 365 DEGREES OF INSTANT FILM at the opening of MONSTERS AND LANDSCAPES exhibition by Ryan Piers… »
- Open Call 2015 at Coohaus Art Mora Stop by the gallery to vote for your favorite piece A guest enjoying the work of… »
- Sculpture by Aaron Spangler Ellen Lesperance TAKE BACK VERMONT! struck me as a timely, relevant and even important type… »
- Sumi ink is made of a type of compressed soot derived from burning plant seed oils, which is then mixed with bone glue.… »
- Exterior of frosch & portmann on the LES frosch & portmann opening reception for Brad Nelson Back in January… »
- So many statements made at the show RESPOND in Smack Mellon Respond at Smack Mellon in DUMBO The Art goers come out… »
- Perusing the art of Erin Smith Amy Li (at center) with guests at the opening for Erin Smith Here is the unusual… »